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Renaissance Europe, courtiers played an extremely important role in upper-class society. The movie Dangerous Beauty, starring Catherine McCormack, tells the story of Veronica Franco, a Venetian courtesan. For other uses, see, courtesan (disambiguation). Court, verb In Italy, Baldassare Castiglione in his The Book of the Courtier uses the masculine form cortigiano courtier but for the feminine form cortigiana courtesan uses the term donna di palazzo (literally "palace lady Silvana Patriarca, "Indolence and Regeneration: Tropes and Tensions of Risorgimento. Most included some provision for the financial welfare of the courtesan beyond the end of the relationship in the form of an annuity. 4 The courtesans of East Asia, particularly those of the Japanese empire, held a different social role than that of their European counterparts. The Lady of the Camellias was a novel about a courtesan by French author Alexandre Dumas, fils that was turned into the opera La Traviata by Italian composer Giuseppe Verdi. 6 More often than not, a woman serving as a courtesan would last in that field only as long as she could prove herself useful to her companion, or companions.






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"La Traviata" in Italian translates "The Wayward One". The cortigiane oneste were usually well-educated and worldly (sometimes even more so than the average upper-class woman and often held simultaneous careers as performers or artists. When referring to those who made their service as a courtesan as their main source of income, success was based solely on financial management and longevity. The Courtesan and the Gigolo: The Murders in the Rue Montaigne and the Dark Side of Empire in Nineteenth-Century Paris. Wealthy benefactors would go to great lengths to court a courtesan as a prize, the ultimate goal being a long-term contract as a mistress. 3, the word was borrowed by English from Italian through the French form courtisane during the 16th century, especially associated to the meaning of donna di palazzo. Isbn Odette Swann from Marcel Proust's In Search of Lost Time is a courtesan of the French Belle Epoque, she gains a notorious reputation from cavorting with Aristocrats, artists, Bourgeois, and both sexes. "Gender, Sexuality, and Body Politics in Modern Asia". Berkeley, CA: University of California Press, 2008. Mira Nair 's 1996 film Kama Sutra: A Tale of Love highlights the profession of courtesans in 16th-century India, featuring Rasa Devi ( Rekha ) and Maya ( Indira Varma ).

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In its sequel, Assassin's Creed: Brotherhood, Madame Solari is shown to be the leader of the courtesans in Rome. Citation needed Career length edit In later centuries, from the mid-18th century on, courtesans would often find themselves cast aside by their benefactors, but the days of public execution or imprisonment based on their promiscuous lifestyle were over. They were also subject to lower social status, and often religious disapproval, because of the immoral aspects of their profession and their reliance upon courtisanerie as a primary source of income. She is described in the alternative title of the play as 'the famous Venetian Curtizan'. They were typically chosen on the basis of their "breeding"social and conversational skills, intelligence, common-sense, and companionshipas well as their physical attributes. In fact, the verb 'to court' originally meant "to be or reside at court and later came to mean "to behave as a courtier" and then ' courtship or "to pay amorous attention to somebody". There are many cases throughout history where one courtesan would attempt (sometimes successfully) to supplant the mistress to a king or emperor.

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Cavaltrans fr duncan Publicly and socially, affairs of this sort were common during the 17th, 18th and 19th centuries, as well as the early 20th century, and were generally accepted in wealthy circles. It actually seems that the figure of the chevalier servant (French, literally "serving cavalier lady's escort) of a married lady was quite common in Europe up to the 18th century. It is interesting that many such women became so powerful socially and financially that they could be particular about the men they associated with; in other words they chose their paramour as would any other mistress, not the other way around. Pietro Aretino, an Italian Renaissance writer, wrote a series of dialogues ( Capricciosi ragionamenti ) in which a mother teaches her daughter what options are available to women and how to be an effective courtesan. Bianca in William Shakespeare 's Othello, is considered a courtesan to Cassio.